Skip to main content

Merry Christmas


                                                             "Fireside" 1956 by Winifred Nicholson


New Year Snow by Frances Horowitz

For three days we waited,
a bowl of dull quartz for sky.
At night the valley dreamed of snow,
lost Christmas angels with dark-white wings
flailing the hills.
I dreamed a poem, perfect
as the first five-pointed flake,
that melted at dawn:
a Janus-time
to peer back at guttering dark days,
trajectories of the spent year.
And then snow fell.
Within an hour, a world immaculate
as January’s new-hung page.
We breathe the radiant air like men new-born.
The children rush before us.
As in a dream of snow
we track through crystal fields
to the green horizon
and the sun’s reflected rose.
 
It is no surprise that Frances Horowitz's publisher, Bloodaxe, chose a painting by Winifred Nicholson to adorn the cover of her Collected Poems. 

Both were attentive fathomers of particular places, then when attentively seen become translucent to glimmerings of transcendence. The boundaries between inside, warmth, and blanketing cold blur in Winifred's painting, worlds enfold worlds. The boundary in Frances' poem is temporal - the time of looking back - guttering dark, channels of accomplishments and failures - is teased into a blanket white future, awaiting hopeful imprint, where innocence treads first in wondering excitement. 

Working with people in prison, years back, I noticed that a sign of change not being in prospect was the person's declaration of guilt. This puzzled me, at first, you thought acknowledgment would be hopeful until I realized guilt was always backward facing, trapped in the past, and always about 'me'. My identity is wrapped in guilt, a compelling egotism awaiting its allotted forgiveness. 

Remorse, on the other hand, was qualitatively different. It did not announce itself except in the person's actions towards change, leaning into a future that was white with possibilities, waiting to be written anew.  "As in a dream of snow we track through crystal fields to the green horizon and the sun’s reflected rose."

This seems the perfect Christmas theme as a child comes to write us anew - fully aware of our pasts yet leaving them there - inviting us to step out, in the light of eternity, always new. The simplest thing in the world that we endlessly complicate (to partially quote Rowan Williams)! 

So more innocence of childhood rushing into new snow is needed:-) since the paths of presumed realism seem to lead us only back into the trajectories of past years' failures!

Meanwhile, the renewing work with people in prison goes on, refreshingly, https://www.theppt.org.uk/ and into its thirty-sixth year and just as the budget looked wobbly (not for the first time), the founder's kind niece and those innocent Hobbits (a.k.a the Tolkien Trust) came to the rescue, so the future brightened, as it can!

Merry Christmas and a blanket white New Year on which to write anew ..

Comments

Popular posts from this blog

The Buddha meets Christ in embrace

Reading Lama Anagarika Govinda is proving nostalgic on a number of fronts. I recall my first reading of it in my first year at university, bought at Watkins, the famous 'esoteric' bookshop in Cecil Court in London. I sat in my hall of residence room transfixed by a world made familiar; and, it was deepening of a commitment to contemplation (which has been observed fitfully)! I remember returning, at the time, to my school to give a talk to the combined fifth form on Buddhism and using Govinda as the backbone of my delivery (both this book, and his equally wonderful, the Foundations of Tibetan Buddhism). I was voted (I immodestly remember) their best invited speaker of the year. I had even bought a recording of Tibetan music as opener and closer! He reminded me of how important Buddhism was (and is) to my own thinking and comprehension of my experience. The Buddha's First Sermon in the Deer Park was the first religious text I read (of my own volition) at the tender age

Searching for paradise in the hidden Himalayas

At moments of dislocation and intense social uncertainty people will appear offering the possibility of another land where people will be blessed, liberated and genuinely at home. In this case, it was not 'Brexit' but a hidden land of actual immortality, enfolded within the mountain ranges around Mt Kanchenjunga on the Nepalese/Sikkim border. Unlike Shangri-la, Beyul Demoshong was not simply a physical space, carefully hidden (as imagined in Hilton's Lost Horizon) but an occulted place spiritually hidden. The person offering this journey and opening the way to it was the 'crazy lama', Tulshuk Lingpa. Lingpa was a 'terton' a finder of 'terma' which were texts magically hidden until discovered at the right moment for them to be of maximum usefulness to people's spiritual development. They were often hidden by Padmasambhava, the robust wonder-working bringer of Buddhism to Tibet; and, Tibetan Buddhism is alive with such discoveries (though und

Parzival and the neutral angels

Fresh from contemplating 'Lost Christianity', I read Lindsay Clarke's fabulous re-telling of Wolfram von Eschenbach's poem, 'Parzival and the Stone from Heaven' from which 'Christendom' is lost! Von Eschenbach was a sacred poet but one of ecumenical sympathies where not only is Parzival's final battle (unknowingly) with his brother, the piebald Saracen, Feirefiz, essential to his self-discovery but the two of them enter the Grail castle together and are granted together a vision of the 'stone' that is the Grail. When Feirefiz asks whether it is permitted to see this Christian  mystery, Parzival answers (in Clarke's version) yes for, "all Nature's increase is there, so I think that this stone from Heaven must be a living emblem of the earth itself, which is mother and father to us all." There are knights, ladies, sorcerers, hermits and wise old hags abounding in Eschenbach's world but interestingly for a mediev