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Showing posts from October, 2016

Incognito

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I first came across Dumitriu's novel, 'Incognito', in Bishop John Robinson's 'Exploration into God' the sequel to his groundbreaking (or controversial or both) 'Honest to God' - that classic of 1960's theological liberalism written at a time when a theological book could be genuinely culturally significant, widely debated and, even, lead the Sunday headlines (ah! happy days)!
I was a student then and immediately went in search of the novel. I was fortunate (as I was to discover later) as this coincided with a rare window of opportunity when the book was in print in English (and in paperback). It is one of those handful of books that I have read in one sitting - no mean achievement for a novel of some 460 pages - enthralled and challenged.
It tells two parallel stories.
The first is the life of Sebastian as he progresses from restless teenager of a bourgeois family in pre-War Rumania through his war as a tank officer in which, captured, he changes …

All Passion Spent

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I do not know why I chose to buy the BBC production of "All Passion Spent" (based on the novel by Vita Sackville West, pictured above). It must have been an Amazon suggestion that, having registered, I bought elsewhere. (The Amazon site is just the best to identify product and the company (given its behaviours) just the worst to actually buy from)!

It is a cliche to say, 'They do n't make them like they used to'; but, cliches are as they are because they carry truth (however ossified).

It is a beautiful piece of reflective drama with a sterling cast led by Wendy Hiller as the recently widowed partner of a former Viceroy of India and Prime Minister who startles her family by retreating to Hampstead and living a reclusive life, separated from all the previous demands of the wife of a prominent public figure.

In its place, she forms new attachments to her landlord, his building contractor and, surprisingly, an eccentric art collector who had met her in India and wi…

The Landscape of Dreams

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When I was in my late teens, I went through a process of 'Aha' moments when addressed by a particular art form, it clicked. 'So this is what painting or poetry or music is about?' Before that my principal obsessions had been history and geography that my childhood self was going to combine in archaeology and discover lost civilisations preferably buried in remote jungles!

Some of those 'aha' moments were passed through - I cannot say I have read Orwell since school even though it was his '1984' that convicted me of the notion that novels could be read for pleasure (and enlightenment) surpassing mere duty. Some, however, have remained deeply resonant as well as blossoming out into a wider and deeper appreciation. Stravinsky's 'Rite of Spring' heard at a Sixth Form 'music appreciation class' being a case in point. It became my first record that was played endlessly on my brother's record player until my father walked in (after a w…

Utopian citizenship

With a moment to spare, I penned a version of this to my new Prime Minister, and posted it today (as an old fashioned letter as they have, I am told, more effect). She stated in her recent party conference speech that people who claimed to be citizens of the world, in fact, were citizens of nowhere and did not understand what 'citizenship' meant:
It is perfectly clear to me, if not to your scriptwriter, what people can mean when the say they are a citizen of the world. It can mean that they owe an allegiance to a reality that transcends their particular place or context (however important that might be), say, to a common humanity sharing a common home or even to a transcendent good. 
This is not a new sentiment both the Roman philosopher and statesmen, Seneca: "Life must proceed on the conviction that “I am not born for a single cranny; this whole universe is my homeland,” and Jesus, the Son of Man, who has no place to rest his head except in the bosom of the Father, held i…

The Shadow

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"The cause of my nervous breakdown was..." As I know, any number of possible, complimentary and contradictory, clauses can complete this opening sentence; and, psychological theory is helpful only as a distraction.

It is one of the virtues of Neil M Gunn's novel, 'The Shadow' that the sources of Nan Gordon's remain open. Nan has returned to her aunt's farm in Scotland to recover from a nervous breakdown occasioned in London. The time being immediately after the Second World War has ended. What allows her to recover is a renewed participation in the health of a natural place - the lively, life giving country, the love of her caring and wise aunt; and, work on the harvest in undemanding but interested company.

This recovery is not unthreatened by the drama that makes the novel - a murder at a local croft, her male partner's arrival clashing with the attentions given to her by a stranger, a local artist. It is threatened too by a core dilemma. How can …