You are a healer, projected by the dispossessed as a saint in such a way that you spark a revolt, that some would hope to become a revolution. It fails in blood and misery and you are expelled to the nearest neighboring country: in this case, the United States at the turn of the nineteenth/twentieth century, what happens next? This is the subtext of Urrea's wonderful sequel to his 'The Hummingbird's Daughter'. This first novel has followed its champion, Teresita, from illegitimate bastard of the local peon, herself thus half Indian, half Mexican, to the pinnacle of her apparent fame as a healer and for many a saint and trigger point for a revolution of the oppressed. Her father has accepted her, loves her, yet fears her consequence, rightly as it happens, because the dictatorship of Diaz falls on his head and he, and his extended family, find themselves in exile in the United States, pursued by Diaz's agents offering assassination. Meanwhile, Teresita is famous (