Skip to main content

Night Journey



‘Greetings to the solitary. Friends, fellow beings, you are not strangers to us. We are closer to one another than we realize. Let us remember one another at night, even though we do not know each other’s names.’ is the gentle ending to David Gascoyne's beautiful poem (written for the BBC) 'Night Thoughts'.

It is a call to solidarity, a recognition that underlying our apparent loneliness is a commonality of spirit and that underlying our disenchantment from the world is a wonder that is calling us home.

I was reminded of this when looking at this: one of the painter, Lorna Graves', beautiful solitary images of a magicked figure travelling across a landscape in which it is at home yet tantalizingly fragile, as if the message of an enfolded transcendence plays hide and seek with us.

This is one of Lorna's angels, travelling at night within sheltering wings, towards an orientating moon and stars. It is both inherently mysterious and yet strangely comforting. This is what transports at night, weaving meaning, whether we know it or not, bringing us closer to the wonder of things.

She was a remarkable artist and I met her for the first time at the same conference at which I met David Gascoyne - at the Temenos Conference on Art and the Renewal of the Sacred at Dartington Hall in 1986. We all three of us together found ourselves sharing a table in the White Hart Bar - three different generations, united in a shared introversion! It could have been a disaster! But under Lorna's gentle questioning, Gascoyne happily held forth on poetry and existentialism that we all brought round together to Berdyaev and Buber!

In which the common theme was unfolding presence in which God was not taught as much as caught fleetingly within the fabric of speech and image as a touch that lured you on, framing each and every potential action compassionately, for how could you respond otherwise, if everything, held aright, was God's speaking to you, showing you, asking a response?

In her art, Lorna, happily moved betwixt the commonplace shot through with wonder and the wonderful shot through with the commonplace, holding the two together in mesmerizing images, that are by their very nature a  'binding' of two worlds - the root meaning of religion.

Comments

Popular posts from this blog

The Buddha meets Christ in embrace

Reading Lama Anagarika Govinda is proving nostalgic on a number of fronts. I recall my first reading of it in my first year at university, bought at Watkins, the famous 'esoteric' bookshop in Cecil Court in London. I sat in my hall of residence room transfixed by a world made familiar; and, it was deepening of a commitment to contemplation (which has been observed fitfully)! I remember returning, at the time, to my school to give a talk to the combined fifth form on Buddhism and using Govinda as the backbone of my delivery (both this book, and his equally wonderful, the Foundations of Tibetan Buddhism). I was voted (I immodestly remember) their best invited speaker of the year. I had even bought a recording of Tibetan music as opener and closer! He reminded me of how important Buddhism was (and is) to my own thinking and comprehension of my experience. The Buddha's First Sermon in the Deer Park was the first religious text I read (of my own volition) at the tender age...

Red Shambala

Nicholas Roerich is oft depicted as a spiritual seeker, peace visionary, author of numberless paintings, and a brave explorer of Central Asia. However, Andrei Znamenski in his 'Red Shambala: Magic, Prophecy, and Geopolitics in the Heart of Asia' has him perform another role - that of geopolitical schemer. The scheming did have at its heart a religious vision - of a coalition of Buddhist races in Central Asia that would establish a budding utopia - the Shambala of the title - from which the truths of Buddhism (and co-operative labour) would flow around the globe. This would require the usurpation of the 13th Dalai Lama to be replaced by the Panchen Lama guided by the heroic saviour (Roerich) who appears above dressed for the part. In the achievement of these aims, the Roerichs (including his wife, Helena, who had a visionary connection with 'Mahatmas' whose cryptic messaging guided their steps) were willing to entertain strange bedfellows that at one time include...

The Jewel in the Crown

I spent six months in Nizhny Novgorod ostensibly as both the chair and the director of a micro-finance fund. I must confess much of that work -apart from the spectacular resignation of my predecessor as director - has faded from view but what I vividly recall is at weekends progressing through Paul Scott's 'The Raj Quartet' and subsequently re-watching its painstaking and triumphant dramatization (by Granada) that I had watched, long before, on the television. It was without doubt my most deeply cherished reading experience to date. This extraordinary narrative of the British in the last, declining days of colonial rule that begins with the doomed relationship of Hari Kumar and Daphne Manners, her rape, and the injustice of Kumar as accused by Ronald Merrick, the Police Superintendent, and one of the most malevolent characters ever created in fiction. He is a magnified alter ego of Scott himself especially the sharply, destructively repressed homosexuality. The narrati...