Skip to main content

A transfigured window


When I was at university, there was a 'university mission' to which I went. On three consecutive nights, there were three presentations of the Christian faith from four distinguished Christian bishops. It was an extraordinary line up - Michael Ramsey who had been Archbishop of Canterbury and a distinguished theologian, followed by the famous double act of the Roman Catholic Archbishop of Liverpool, Derek Warlock, and his Anglican opposite number as Bishop of Liverpool, David Sheppard, and finally, on the last night, Metropolitan Anthony, the charismatic and holy, Russian Orthodox prelate!

Ramsey struck me then as a man both holy and wise with a way of making complex truths simple. They all radiated a sense of holiness that detracted not one wit from their own humanity, and indeed eccentricity.

It was a surfeit of riches and today in Durham Cathedral a friend had directed me to a new (2010) stained glass window dedicated to the Transfiguration and offered in memory of Michael Ramsey for it was in Durham where he had taught, been bishop and to where he retired.

It is a beautiful window that no photograph can begin to do justice, especially as a whole. A central light, of the transfigured Christ, permeates creation. It offers a witness to the world's true nature as cosmos and to our actual participation in the divine. It points towards a hoped for, ever deepening, realisation of that grace such that every corner of the world might be illuminated, remembering its status as continual divine gift, and recover its wholeness.




It was a central theme of Ramsey's theology, as it was of Metropolitan Anthony's Orthodox faith, that we are participators in the divine nature. 'All' we need to do is to surrender into that light, an ever present offering if we have eyes to see.

As I sat there, I pondered the disciples reaction of amazement, bewilderment and an offered construction project namely to make booths for the three figures, Christ, Elijah and Moses!

This latter action struck me as a wholly perfect analogy for my own reaction to the proffered freedom of God: yes, please, but only if I can safely hedge it in with my own boundaries and worship its possibilities from afar, thank you very much! In that case, and only in that case, I can accept!

What might practicing the acceptance of transfiguration mean?

I suppose it starts with genuinely recognising it as gratuitous gift. This is how the world is, not created in 4004 BC or indeed in a 'big bang' but fundamentally held and given into being, always, now, at this moment. It is a gift of which I am wholly undeserving and yet it is wholly fitting. The only thing one needs to do with a gift is to accept it in gratitude. Yet how difficult it is to receive and be grateful and yet how necessary. The first spiritual act is to say 'thank you' - the difficulty appears that we are still like children to whom this does not come naturally or like adults for whom it has become merely perfunctory.

Comments

Popular posts from this blog

Red Shambala

Nicholas Roerich is oft depicted as a spiritual seeker, peace visionary, author of numberless paintings, and a brave explorer of Central Asia. However, Andrei Znamenski in his 'Red Shambala: Magic, Prophecy, and Geopolitics in the Heart of Asia' has him perform another role - that of geopolitical schemer. The scheming did have at its heart a religious vision - of a coalition of Buddhist races in Central Asia that would establish a budding utopia - the Shambala of the title - from which the truths of Buddhism (and co-operative labour) would flow around the globe. This would require the usurpation of the 13th Dalai Lama to be replaced by the Panchen Lama guided by the heroic saviour (Roerich) who appears above dressed for the part. In the achievement of these aims, the Roerichs (including his wife, Helena, who had a visionary connection with 'Mahatmas' whose cryptic messaging guided their steps) were willing to entertain strange bedfellows that at one time include...

The Buddha meets Christ in embrace

Reading Lama Anagarika Govinda is proving nostalgic on a number of fronts. I recall my first reading of it in my first year at university, bought at Watkins, the famous 'esoteric' bookshop in Cecil Court in London. I sat in my hall of residence room transfixed by a world made familiar; and, it was deepening of a commitment to contemplation (which has been observed fitfully)! I remember returning, at the time, to my school to give a talk to the combined fifth form on Buddhism and using Govinda as the backbone of my delivery (both this book, and his equally wonderful, the Foundations of Tibetan Buddhism). I was voted (I immodestly remember) their best invited speaker of the year. I had even bought a recording of Tibetan music as opener and closer! He reminded me of how important Buddhism was (and is) to my own thinking and comprehension of my experience. The Buddha's First Sermon in the Deer Park was the first religious text I read (of my own volition) at the tender age...

The Jewel in the Crown

I spent six months in Nizhny Novgorod ostensibly as both the chair and the director of a micro-finance fund. I must confess much of that work -apart from the spectacular resignation of my predecessor as director - has faded from view but what I vividly recall is at weekends progressing through Paul Scott's 'The Raj Quartet' and subsequently re-watching its painstaking and triumphant dramatization (by Granada) that I had watched, long before, on the television. It was without doubt my most deeply cherished reading experience to date. This extraordinary narrative of the British in the last, declining days of colonial rule that begins with the doomed relationship of Hari Kumar and Daphne Manners, her rape, and the injustice of Kumar as accused by Ronald Merrick, the Police Superintendent, and one of the most malevolent characters ever created in fiction. He is a magnified alter ego of Scott himself especially the sharply, destructively repressed homosexuality. The narrati...