Skip to main content

"The Heart Could Never Speak"

‘The Heart could never Speak’

The heart could never speak
But that the Word was spoken
We hear the heart break
Here with hearts unbroken.
Time teach us the art
That breaks and heals the heart.

Heart you would be dumb
But that your word was said
In time, and the echoes come
Thronging from the dead.
Time teach us the art that resurrects the heart.

Tongue, you can only say
Syllables, joy and pain,
Till time, having its way,
Makes the word live again.
Time merciful lord,
Grant us to learn your word.

Edwin Muir

"The Heart Could Never Speak: Existentialism and Faith in a Poem of Edwin Muir" is George Pattison's (Lady Margaret Hall Professor of Divinity at Oxford's) imaginative and moving commentary on this, one of Muir's posthumously published poems.

It is a poem that reminds us that we speak because we have been spoken to. Language is a communal gift that comes from love. There is a beautiful passage where Pattison uses Helen Keller's example, emerging from her deaf/blind world, to illustrate this. Her breakthrough discovery one day that the 'w-a-t-e-r' traced on her hand was the substance that tumbled, cold, over them. Interestingly though Keller is immediately recognisable, who is Anne Mansfield Sullivan? She was Helen's teacher whose creativity and suffering patience was as essential to birthing Helen as her own struggle. The communal nature of our coming to be is always present in Muir: 'WE hear the heart break... Grant US to learn your word'.

It moves from our common failure to hear the breaking heart, the sorrow that permeates our condition, as we speak through and over it, to the possibility that we might learn, in time, the art of listening that comes through recognising our own brokenness, out of which we might learn real speech, that grants to ourselves and others, words through which we might live.

The poem, as Pattison shows, works both on a 'purely' human level and on one where the sacred references are taken seriously. Where 'the Word' that makes speech possible, is the Logos on whose patterning the world was created as God's gifting'. Where the time mercifully granted that we might learn the word that is healing speech is not the simple flow of time that takes everything away, running down to death, collapsing into ruins, but the moment where time intersects eternity granting meaning to both.

The whole poem can be seen as prayer - a prayer to mend our speech and time in the mindfulness of the giftedness of both - and like prayer aims at granting a 'moment' of the stillness and silence out of which our lives can listen to a response and gift a response in return.

It reminds me that Muir was a profoundly political poet - not in terms of a commitment to particular allegiances - Auden's youthful communism or T.S. Eliot's High Tory Anglicanism - but at a more radically basic level - what do we need to imagine and be so that we can joyfully live with one another?

There can be nothing more basic than we listen to each other's broken speech and respond with a healing word by which together we can live.


Comments

Popular posts from this blog

Red Shambala

Nicholas Roerich is oft depicted as a spiritual seeker, peace visionary, author of numberless paintings, and a brave explorer of Central Asia. However, Andrei Znamenski in his 'Red Shambala: Magic, Prophecy, and Geopolitics in the Heart of Asia' has him perform another role - that of geopolitical schemer. The scheming did have at its heart a religious vision - of a coalition of Buddhist races in Central Asia that would establish a budding utopia - the Shambala of the title - from which the truths of Buddhism (and co-operative labour) would flow around the globe. This would require the usurpation of the 13th Dalai Lama to be replaced by the Panchen Lama guided by the heroic saviour (Roerich) who appears above dressed for the part. In the achievement of these aims, the Roerichs (including his wife, Helena, who had a visionary connection with 'Mahatmas' whose cryptic messaging guided their steps) were willing to entertain strange bedfellows that at one time include...

The Buddha meets Christ in embrace

Reading Lama Anagarika Govinda is proving nostalgic on a number of fronts. I recall my first reading of it in my first year at university, bought at Watkins, the famous 'esoteric' bookshop in Cecil Court in London. I sat in my hall of residence room transfixed by a world made familiar; and, it was deepening of a commitment to contemplation (which has been observed fitfully)! I remember returning, at the time, to my school to give a talk to the combined fifth form on Buddhism and using Govinda as the backbone of my delivery (both this book, and his equally wonderful, the Foundations of Tibetan Buddhism). I was voted (I immodestly remember) their best invited speaker of the year. I had even bought a recording of Tibetan music as opener and closer! He reminded me of how important Buddhism was (and is) to my own thinking and comprehension of my experience. The Buddha's First Sermon in the Deer Park was the first religious text I read (of my own volition) at the tender age...

The Jewel in the Crown

I spent six months in Nizhny Novgorod ostensibly as both the chair and the director of a micro-finance fund. I must confess much of that work -apart from the spectacular resignation of my predecessor as director - has faded from view but what I vividly recall is at weekends progressing through Paul Scott's 'The Raj Quartet' and subsequently re-watching its painstaking and triumphant dramatization (by Granada) that I had watched, long before, on the television. It was without doubt my most deeply cherished reading experience to date. This extraordinary narrative of the British in the last, declining days of colonial rule that begins with the doomed relationship of Hari Kumar and Daphne Manners, her rape, and the injustice of Kumar as accused by Ronald Merrick, the Police Superintendent, and one of the most malevolent characters ever created in fiction. He is a magnified alter ego of Scott himself especially the sharply, destructively repressed homosexuality. The narrati...