It is marked by three deaths, each different: two at full term, one a life of fullness, the other a life of constrained emptiness and a young suicide.
And a birth: the birth on a winter evening that is sufficiently natural to be acceptable, sufficiently mysterious to bring you to remember another birth, of a child ever young and present.
Mackay Brown has the ability to evoke, in lucid and poetic language, the complexities of a real community, of people in their anxiety and their joy and then carry it over into an atmosphere that is glimpsed with transcendence.
He was what has been described as a 'romantic' Roman Catholic, a convert, and it was a tradition that fitted him admirably, one able to uplift his imagination and accept, and forgive, his shadow. He had a formidable relationship with alcohol that accompanied his potential for depression - in a mutual, reinforcing embrace. Though he was a romantic about his adopted religion, he was emphatically not about his given place.
He was a good man, and one of the most imaginatively gifted poets and short story writers of the post-war world; and, unlike many of his peers, rooted to his place. He rarely left Orkney - the most prolonged period was as a mature student at Newbattle Abbey and Edinburgh University. At the former, he was a student of my beloved, Edwin Muir, who recognised and cultivated his genius, that of a fellow Orcadian.
This poem's captures beautifully many of his elements - the realistic hardships of a life and its consolations, both actual and poetic, caught in the simplest, shorn down language, that sparkles in arresting, very concrete images.
The Beachcomber
This poem's captures beautifully many of his elements - the realistic hardships of a life and its consolations, both actual and poetic, caught in the simplest, shorn down language, that sparkles in arresting, very concrete images.
The Beachcomber
Monday I found a boot –
Rust and salt leather.
I gave it back to the sea, to dance in.
Tuesday a spar of timber worth thirty bob.
Next winter
It will be a chair, a coffin, a bed.
Wednesday a half can of Swedish spirits.
I tilted my head.
The shore was cold with mermaids and angels.
Thursday I got nothing, seaweed,
A whale bone,
Wet feet and a loud cough.
Friday I held a seaman’s skull,
Sand spilling from it
The way time is told on kirkyard stones.
Saturday a barrel of sodden oranges.
A Spanish ship
Was wrecked last month at The Kame.
Sunday, for fear of the elders,
I sit on my bum.
What’s heaven? A sea chest with a thousand gold coins.
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