Skip to main content

A flowering world


This is Iris, Tindle Tarn by Winifred Nicholson - a painting of her native Cumbria.

It exhibits her essential qualities - an extraordinary feel for colour, here in shading delicacy, for flowers, especially domestically disporting on a window sill; and, an opening out into encompassing nature and light.

The world is both domestic and wild and both are held in a transcending yet immanent order. The world is looked upon, and it is found to be good, an expression of a divine creativity.

It is a creativity in which we participate when we 'decreate' ourselves (to quote Simone Weil), stand ourselves down, and allow the empty space we make way for to be suffused with a seeing that is, paradoxically, most deeply ours and utterly 'objective' - a radiance of things in themselves.

I have always treasured her work - both seen domestically, hanging on the walls of friends who knew her and were her friend, and in art galleries.

I remember her retrospective at the Tate (and another is long overdue) vividly. It is one of my most memorable artistic encounters. I went back over and over, singling out particular paintings for the closest attention, and remembering specific works with a lucidity that astonishes.

It is the simplicity and grace communicated that I love.

Comments

Popular posts from this blog

The Buddha meets Christ in embrace

Reading Lama Anagarika Govinda is proving nostalgic on a number of fronts. I recall my first reading of it in my first year at university, bought at Watkins, the famous 'esoteric' bookshop in Cecil Court in London. I sat in my hall of residence room transfixed by a world made familiar; and, it was deepening of a commitment to contemplation (which has been observed fitfully)! I remember returning, at the time, to my school to give a talk to the combined fifth form on Buddhism and using Govinda as the backbone of my delivery (both this book, and his equally wonderful, the Foundations of Tibetan Buddhism). I was voted (I immodestly remember) their best invited speaker of the year. I had even bought a recording of Tibetan music as opener and closer! He reminded me of how important Buddhism was (and is) to my own thinking and comprehension of my experience. The Buddha's First Sermon in the Deer Park was the first religious text I read (of my own volition) at the tender age...

The Jewel in the Crown

I spent six months in Nizhny Novgorod ostensibly as both the chair and the director of a micro-finance fund. I must confess much of that work -apart from the spectacular resignation of my predecessor as director - has faded from view but what I vividly recall is at weekends progressing through Paul Scott's 'The Raj Quartet' and subsequently re-watching its painstaking and triumphant dramatization (by Granada) that I had watched, long before, on the television. It was without doubt my most deeply cherished reading experience to date. This extraordinary narrative of the British in the last, declining days of colonial rule that begins with the doomed relationship of Hari Kumar and Daphne Manners, her rape, and the injustice of Kumar as accused by Ronald Merrick, the Police Superintendent, and one of the most malevolent characters ever created in fiction. He is a magnified alter ego of Scott himself especially the sharply, destructively repressed homosexuality. The narrati...

The Beckoning Land that is within

In spite of the fact that all three of Rowena Farre's books were in a certain measure autobiographical, she remains a mystery. The place of her birth, her real name, and ancestry, whether her first book was an autobiography, in fact, or fiction? It is, on reading her last book, a matter on which, beyond a certain notional interest, I find myself wholly and happily agnostic. Whoever she was, she was a person out of sorts with the world she was born into and on, an ever more consciously realized, spiritual quest. In this way, the book leads on from her earlier one about her life with Roma and Traveller communities. There she was following a nomadic impulse that ran in parallel to 'ordinary life' whilst here she is following a nomadic life that enfolds and transforms 'ordinary' life.  https://ncolloff.blogspot.com/2018/07/on-hopes-realities-and-shadows-of-being.html In this her third book, she returns to places associated with her childhood, Hong Kong, Ceylon, a...