A flowering world

This is Iris, Tindle Tarn by Winifred Nicholson - a painting of her native Cumbria.

It exhibits her essential qualities - an extraordinary feel for colour, here in shading delicacy, for flowers, especially domestically disporting on a window sill; and, an opening out into encompassing nature and light.

The world is both domestic and wild and both are held in a transcending yet immanent order. The world is looked upon, and it is found to be good, an expression of a divine creativity.

It is a creativity in which we participate when we 'decreate' ourselves (to quote Simone Weil), stand ourselves down, and allow the empty space we make way for to be suffused with a seeing that is, paradoxically, most deeply ours and utterly 'objective' - a radiance of things in themselves.

I have always treasured her work - both seen domestically, hanging on the walls of friends who knew her and were her friend, and in art galleries.

I remember her retrospective at the Tate (and another is long overdue) vividly. It is one of my most memorable artistic encounters. I went back over and over, singling out particular paintings for the closest attention, and remembering specific works with a lucidity that astonishes.

It is the simplicity and grace communicated that I love.

Comments

The Buddha meets Christ in embrace

Reading Lama Anagarika Govinda is proving nostalgic on a number of fronts. I recall my first reading of it in my first year at university, bought at Watkins, the famous 'esoteric' bookshop in Cecil Court in London. I sat in my hall of residence room transfixed by a world made familiar; and, it was deepening of a commitment to contemplation (which has been observed fitfully)! I remember returning, at the time, to my school to give a talk to the combined fifth form on Buddhism and using Govinda as the backbone of my delivery (both this book, and his equally wonderful, the Foundations of Tibetan Buddhism). I was voted (I immodestly remember) their best invited speaker of the year. I had even bought a recording of Tibetan music as opener and closer! He reminded me of how important Buddhism was (and is) to my own thinking and comprehension of my experience. The Buddha's First Sermon in the Deer Park was the first religious text I read (of my own volition) at the tender age...

Richard Hauser and the evils of Marx

Richard was a distinguished Austrian sociologist who had contributed to the Wolfenden report that led to the decriminalisation of homosexuality in England, Wales and Scotland in the late 1960's. I was remembering him on the plane today because I saw a reference to his wife, Hephzibah Menuhin, pianist sister of the violinist Yehudi and human rights activist. I met him after responding to an advertisement in the New Society. He lived in a house in Pimlico, a widower, with a clutch of young people, running an ill-defined (for me) social research/action institute, that I visited several times and to which Richard wanted to recruit me. I was never clear as to what my responsibilities might be and resisted co-option. He was, however, extraordinarily charismatic and as a Jew had fled Austria in 1938 not without receiving permanent damage to his hearing, courtesy of Gestapo interrogation. I vividly remember one story he told me that gives you an idea of his character. He was invit...

Luminous Spaces - the poetry of Olav H. Hauge

Don't give me the whole truth, don't give me the sea for my thirst, don't give me the sky when I ask for light, but give me a glint, a dewy wisp, a mote as the birds bear water-drops from their bathing and the wind a grain of salt. It began with a poem, this poem, in Mark Oakley's 'The Splash of Words: Believing in Poetry' - a wonderful series of meditations on particular poems, one each chapter. The poet is the Norwegian, Olav H. Hague (1908-1994). I immediately ordered, 'Luminous Spaces: Selected Poems & Journals' and was enjoying dipping until, at the weekend, recovering from a stomach bug, I decided to read them through and fell wholeheartedly for a new friend. Hague was born on a farm. His formal education was brought short by a combination of restricted means, an inability to conquer mathematics: and, a voracious diet of reading ranging beyond the confines of any confining curriculum. He went to a horticultural college instead an...

Golgonooza

Search This Blog