Skip to main content

The joy in which we come to rest...

Twenty five minutes of silent meditation at Ann's grave started the day. This we followed with readings and breakfast at the Bibury Court Hotel, at Tigger's, Ann's sister's, hospitality.

I read a short poem by Wendell Berry:

"Learn by little the desire for all things
which perhaps is not desire at all
but undying love which perhaps
is not love at all but gratitude
for the being of all things which
perhaps is not gratitude at all
but the maker's joy in what is made,
the joy in which we come to rest."

I had introduced Ann to Berry's poetry and we both recognized in it that ability that poetry has of encapsulating a seeing, a way of being, in ways immediately recognizable, so that you taste the understanding of it, rather than merely understand.

I left for a meeting in Bristol and drove across the Cotswolds accompanied at first by Vaughan Williams' Lark Ascending: music played at Ann's funeral and that has remained glistening in memory and regard ever since, appropriate to the time and to the place.

On the way back I listened to assorted pieces by Holst: a composer I love very much - I would like his Brook Green Suite played at my funeral. I always feel deeply sorry that his oeuvre as a whole is overshadowed by his perceived masterpiece: The Planets. There is so much more to enjoy - Egdon Heath or the Hymn to Jesus or the music inspired by themes Indian - the settings of hymns from the Rig Veda for example (for which he tried to learn Sanskrit to make his own translations). He is certainly the most spiritually questing of composers, in a modern vein, ecumenical to a fault.


Comments

Popular posts from this blog

Red Shambala

Nicholas Roerich is oft depicted as a spiritual seeker, peace visionary, author of numberless paintings, and a brave explorer of Central Asia. However, Andrei Znamenski in his 'Red Shambala: Magic, Prophecy, and Geopolitics in the Heart of Asia' has him perform another role - that of geopolitical schemer. The scheming did have at its heart a religious vision - of a coalition of Buddhist races in Central Asia that would establish a budding utopia - the Shambala of the title - from which the truths of Buddhism (and co-operative labour) would flow around the globe. This would require the usurpation of the 13th Dalai Lama to be replaced by the Panchen Lama guided by the heroic saviour (Roerich) who appears above dressed for the part. In the achievement of these aims, the Roerichs (including his wife, Helena, who had a visionary connection with 'Mahatmas' whose cryptic messaging guided their steps) were willing to entertain strange bedfellows that at one time include...

The Buddha meets Christ in embrace

Reading Lama Anagarika Govinda is proving nostalgic on a number of fronts. I recall my first reading of it in my first year at university, bought at Watkins, the famous 'esoteric' bookshop in Cecil Court in London. I sat in my hall of residence room transfixed by a world made familiar; and, it was deepening of a commitment to contemplation (which has been observed fitfully)! I remember returning, at the time, to my school to give a talk to the combined fifth form on Buddhism and using Govinda as the backbone of my delivery (both this book, and his equally wonderful, the Foundations of Tibetan Buddhism). I was voted (I immodestly remember) their best invited speaker of the year. I had even bought a recording of Tibetan music as opener and closer! He reminded me of how important Buddhism was (and is) to my own thinking and comprehension of my experience. The Buddha's First Sermon in the Deer Park was the first religious text I read (of my own volition) at the tender age...

The Jewel in the Crown

I spent six months in Nizhny Novgorod ostensibly as both the chair and the director of a micro-finance fund. I must confess much of that work -apart from the spectacular resignation of my predecessor as director - has faded from view but what I vividly recall is at weekends progressing through Paul Scott's 'The Raj Quartet' and subsequently re-watching its painstaking and triumphant dramatization (by Granada) that I had watched, long before, on the television. It was without doubt my most deeply cherished reading experience to date. This extraordinary narrative of the British in the last, declining days of colonial rule that begins with the doomed relationship of Hari Kumar and Daphne Manners, her rape, and the injustice of Kumar as accused by Ronald Merrick, the Police Superintendent, and one of the most malevolent characters ever created in fiction. He is a magnified alter ego of Scott himself especially the sharply, destructively repressed homosexuality. The narrati...