Skip to main content

One Foot in Eden


One foot in Eden still, I stand
And look across the other land.
The world's great day is growing late,
Yet strange these fields that we have planted
So long with crops of love and hate.
Time's handiworks by time are haunted,
And nothing now can separate
The corn and tares compactly grown.
The armorial weed in stillness bound
About the stalk; these are our own.
Evil and good stand thick around
In fields of charity and sin
Where we shall lead our harvest in.

Yet still from Eden springs the root
As clean as on the starting day.
Time takes the foliage and the fruit
And burns the archetypal leaf
To shapes of terror and of grief
Scattered along the winter way.
But famished field and blackened tree
Bear flowers in Eden never known.
Blossoms of grief and charity
Bloom in these darkened fields alone.
What had Eden ever to say
Of hope and faith and pity and love
Until was buried all its day
And memory found its treasure trove?
Strange blessings never in Paradise
Fall from these beclouded skies.

This a later poem by Edwin Muir. I thought of it on my last day at Schumacher College when we were considering 'intractable problems' and returning to the world from our educational retreat. 

That sense that though the view from Eden is a necessary one - the paradise that sits at the heart of things is a bearer of promise - the loss paradise was an essential one. A happy fault, as the medieval hymn exalts the Fall, that makes for a richer, more complex experience at the heart of things. The paradise re-gained is a different place from the one lost - there is an enriching consciousness of loss and renewal. The distance we travel away from is a measure of the depth of our returning.


Comments

Popular posts from this blog

The Buddha meets Christ in embrace

Reading Lama Anagarika Govinda is proving nostalgic on a number of fronts. I recall my first reading of it in my first year at university, bought at Watkins, the famous 'esoteric' bookshop in Cecil Court in London. I sat in my hall of residence room transfixed by a world made familiar; and, it was deepening of a commitment to contemplation (which has been observed fitfully)! I remember returning, at the time, to my school to give a talk to the combined fifth form on Buddhism and using Govinda as the backbone of my delivery (both this book, and his equally wonderful, the Foundations of Tibetan Buddhism). I was voted (I immodestly remember) their best invited speaker of the year. I had even bought a recording of Tibetan music as opener and closer! He reminded me of how important Buddhism was (and is) to my own thinking and comprehension of my experience. The Buddha's First Sermon in the Deer Park was the first religious text I read (of my own volition) at the tender age...

Luminous Spaces - the poetry of Olav H. Hauge

Don't give me the whole truth, don't give me the sea for my thirst, don't give me the sky when I ask for light, but give me a glint, a dewy wisp, a mote as the birds bear water-drops from their bathing and the wind a grain of salt. It began with a poem, this poem, in Mark Oakley's 'The Splash of Words: Believing in Poetry' - a wonderful series of meditations on particular poems, one each chapter. The poet is the Norwegian, Olav H. Hague (1908-1994). I immediately ordered, 'Luminous Spaces: Selected Poems & Journals' and was enjoying dipping until, at the weekend, recovering from a stomach bug, I decided to read them through and fell wholeheartedly for a new friend. Hague was born on a farm. His formal education was brought short by a combination of restricted means, an inability to conquer mathematics: and, a voracious diet of reading ranging beyond the confines of any confining curriculum. He went to a horticultural college instead an...

Richard Hauser and the evils of Marx

Richard was a distinguished Austrian sociologist who had contributed to the Wolfenden report that led to the decriminalisation of homosexuality in England, Wales and Scotland in the late 1960's. I was remembering him on the plane today because I saw a reference to his wife, Hephzibah Menuhin, pianist sister of the violinist Yehudi and human rights activist. I met him after responding to an advertisement in the New Society. He lived in a house in Pimlico, a widower, with a clutch of young people, running an ill-defined (for me) social research/action institute, that I visited several times and to which Richard wanted to recruit me. I was never clear as to what my responsibilities might be and resisted co-option. He was, however, extraordinarily charismatic and as a Jew had fled Austria in 1938 not without receiving permanent damage to his hearing, courtesy of Gestapo interrogation. I vividly remember one story he told me that gives you an idea of his character. He was invit...